贝尔格作为新维也纳乐派中的一员,继承和发展了勋伯格的无调性音乐和十二音音乐,以鲜明的独特性成为欧洲音乐史上的重要人物之一。本文以其早期代表性作品《抒情组曲》为例,运用十二音序列分析的基本理论对第一乐章主题基本音列进行探微式分析,揭示出这一主题基本音列的特殊性与重要性,以及贝尔格在十二音作曲技法上的独特性。 Berger, as a member of the new Vienna School of Music, inherited and developed Schonberg’s atonal music and twelve-second music, with distinctive uniqueness as one of the most important figures in European music history. Taking the early representative works “Lyric Suite” as an example, this paper uses the basic theory of the twelve-tone sequence analysis to explore the basic motifs of the first movement, and reveals the particularity and importance of the basic tone sequence As well as Berger’s uniqueness in the technique of twelve-tone composition.