老话题还要说,因为现实中还是被许多人忽略了,了解画家其人对理解作品的内涵是有帮助的。戴士和先生近日在中国美术馆举办了个人画展,反响热烈,并搞了一个很规范的学术研讨会,大家轮流发言,肯定了戴老师在写意、色彩、造型诸多方面的成果,论点明确,有理有据,非常成功。我靠后发言,想到的问题别人都已说透,大家谈论画多,谈人不多,我正好补充说说戴老师其人及人与画的关系。大致发言如下:戴老师通中西文化,爱古今艺术,修养全面,能画、能写、能说、成就不用多说、作品、著作摆在那儿。我想说我了解戴老师的另一面:戴老 The old topic goes on to say that it is helpful to understand the artist’s content to understand the meaning of the work because, in reality, it is still overlooked by many people. Mr. Dai and He recently held a solo exhibition in the National Art Museum of China, with enthusiastic response and a very standardized academic seminar. All of them spoke in turns and affirmed the achievements of Dai in many aspects such as freehand brushwork, color and shape, Reasonable, very successful. I will speak later. The problems I have already thought have been thoroughly elucidated. We talked about painting more and talking less about people. I just added and talked about the relationship between teacher Dai and his paintings. The general statements are as follows: Dai teachers through Chinese and Western cultures, love ancient and modern art, fully cultivated, able to draw, to write, to say, accomplishments needless to say, works, writings placed there. I want to say I know the other side wearing teacher: wear old