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如今的书法展览,出现了一些不可思议的怪现象:某些书人将书法当作笔墨游戏,勾画涂抹,蛇窜鸦栖,如入无人之境,俨然行家里手,行草书更是笑话百出,造字、别字和错字,该省的不省,不该省的却省略,大有误入歧途之势。任笔为体、信马由缰,一味追求『新』、『奇』、『特』、『怪』,不管大庭广众感受如何,一意孤行,置学问于枉然,流于俗鄙,获一时之名、图一时之快。忽视正书基本功的锤炼。因而笔者认为,有必要分析目前正书在全国展、青年展、楹联展和正书专项展等展览中的现状,作必要的反思。
Today’s calligraphy exhibition, there have been some incredible strange phenomenon: Some calligraphy as a brush calligraphy, some calligraphers, painting smear, snake crow habitat, as no one into the environment, as if experts, cursive is a joke , Making words, other words and typos, the province’s unconscious, not the province but omitted, a lot of mistakes go astray. Ren Pen as the body, relying on the reins, blindly pursuing the “new”, “odd”, “special”, “strange”, regardless of the general public feeling how, go it alone, learning in vain, vulgar, won the name of a moment fast. Ignore the book is basic temper. Therefore, I think it is necessary to analyze the current status of the book in the exhibitions such as the National Exhibition, Youth Exhibition, Lian Lian Exhibition and ZhengShan Special Exhibition, and make the necessary reflection.