民国时期,上海书画市场继承前代遗风,又深受西方外来文化影响,在城市文化发展的复杂脉络与多元消费群体等因素作用下,市场中介规模增大、类型丰富,并初步构成三级市场结构。至晚于清代乾嘉之际已在上海出现的笺扇庄,与新兴并快速发展的美术展览,支撑书画一级市场的繁荣。另外,该时期内的拍卖行、银行业积极介入书画市场,显示出书画二级市 In the period of the Republic of China, the Shanghai painting and calligraphy market inherited the legacy of the previous generation and was deeply influenced by the Western foreign cultures. Under the complex context of urban cultural development and diversified consumer groups, the market intermediary increased in size and type, and initially formed a tertiary market structure. To the late Qing Dynasty when the occasion of Qianlong has appeared in Shanghai, Jiashanzhuang, and emerging and rapidly developing art exhibitions, supporting the prosperity of the painting and calligraphy market. In addition, auction houses and bankers in this period actively intervened in the painting and calligraphy market, showing a secondary market for calligraphy and painting