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本文以原始文本分析为研究方法,通过分析15、16世纪人文主义者的著作、宫廷舞蹈教师的舞蹈论著以及当时关于宫廷舞蹈庆典的相关记录,阐明在人文主义语境下,宫廷舞蹈中女性身份的规范和准则,以及这些规范与宫廷舞会中女性的真实面貌有哪些矛盾之处,揭示文艺复兴宫廷舞蹈中的女性所担任的社会和政治角色,力图呈现文艺复兴时代宫廷舞蹈更加完整而真实的历史图景。
This article takes the original text analysis as the research method. By analyzing the writings of the humanists in the 15th and 16th centuries, the choreographic works of the court dance teachers and the relevant records about the palace dance celebrations at the time, this article elucidates the role of women in the palace dance in the context of humanism And how these norms contradict the true face of women in court dances, revealing the social and political roles of women in the Renaissance court dances in an attempt to present a more complete and authentic courtroom dance of the Renaissance era Historical picture.