苏兆洪的作品视觉效果生动、真实而富有变化,同时加强了墨与色的层次变化。这些年来,他逐步减少了肌理效果的偶然性表现,而在笔墨的视觉语汇运用上又有新拓展。一方面保持了笔墨线条的冲击力与抒情性,一方面又强化了墨与色的融合,使画面有种卷润之美、跌宕之美,在大幅作品中能产生出“大气风神”的迷离之美。 Su Zhaosong’s visual effects are vivid, real and full of changes, and at the same time, the level of ink and color is enhanced. Over the years, he gradually reduced the accidental performance of texture effects, and in the use of visual language vocabulary to the new expansion. On the one hand, it maintains the impact and lyricality of the lines of ink and brush. On the one hand, it also intensifies the fusion of ink and color so that the picture has the beauty of curling and the beauty of ups and downs. In large works, it can produce the blur of “atmospheric Fengshen” beauty of.