卡娜娃被称为“世界第一抒情女高音”。凭借传奇的身世、高雅的气质、和柔美的嗓音,她成为20世纪歌剧舞台上最为耀眼的明星。同时也成为了各大歌剧院争相邀请的首席抒情女高音歌唱家。本论文通过介绍卡娜娃的生平经历、分析她的歌唱技术和风格以及研究《费加罗婚礼》中伯爵夫人的演绎,希望不仅能够为自己的艺术道路指引方向,更能够为自己的艺术发展提供源源不绝的艺术动力。 Kana doll is called “world’s first lyric soprano ”. With the legendary life experience, elegant temperament, and soft voice, she became the most dazzling star of the 20th century opera stage. At the same time also became the major opera house invited to the chief lyric soprano. By introducing Kana’s life experience, this thesis analyzes her singing technique and style as well as the performance of the Countess in the Marriage of Figaro, hoping not only to direct her artistic direction but also to develop her own art Provide an endless stream of artistic power.