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《许昌唱和集》是政和七年(1117)至宣和元年(1119)间叶梦得任职许昌时与诸公的诗社唱和集。绍兴年间由叶梦得整理成集,并在淳熙二年由韩元吉、苏岘组织刊刻,是书收录了许昌诗社的诗人唱和作品。作为南北宋之交一次著名的的文人雅集活动,《许昌唱和集》虽已散佚不存,但我们依旧可以从现有的文献资料中,以此次集会作为勘测视角,寻绎其间透露出的宋人结社集会的演变趋向与当时的诗坛风貌。对考察南北宋之交诗坛唱和重心的下移、“元祐”宋调的奠立与北宋末年的诗坛好尚,均有宝贵价值与重要意义。
“Xuchang Sing and Set” is the poem singing and singing of Xu Changshi and Zhu Gong in the period between Zheng Hsiu and seven years (1117) and the first year of Xuanshe (1119). Shaoxing years by Ye Mengde finishing into a set, and in Chun Xi two years by the South Korea Kyrgyzstan, Su Da Nang organization engraved, is a collection of books containing poetry and poetry in Xuchang singing and works. As a well-known literati and elegant activity at the turn of the Northern and Southern Song Dynasties, although “Xuchang Sing and Set” has disappeared, we can still use the existing literature and materials to collect information about the rally as a survey perspective The evolution trend of association and gathering of the Song people in the Song Dynasty coincides with the poetic style of the time. It is of great value and significance to examine the poetic allegiance and center of gravity of the Southern Song Dynasty at the turn of the 20th century.