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电影是一门技术与艺术相结合的艺术门类,作为第七艺术的电影在,经历从杂耍到艺术的不断努力。2010年,电影《阿凡达》的出现不仅宣告了电影3D时代的到来,更是引发了关于技术美学的热论。但是,随着人们对3D电影技术手段和表现形式的逐渐熟知,人们对3D电影的期望也就不仅仅停留在技术带来的视觉体验了,人们更渴望在享受视听盛宴的同时体验心灵的感动。电影《少年派》的出现,不仅让观众的这种期待得到了满足,更是一次技术美学的完美诠释,这也让我们对电影技术美学有了更加深刻的思考。
Film is a combination of art and art, and as the seventh art film, it has undergone constant efforts from juggling to art. In 2010, the appearance of the movie “Avatar” not only proclaimed the advent of the 3D era of movies, but also triggered a heated debate about technical aesthetics. However, as people gradually become familiar with the technical means and expressions of 3D movies, people’s expectation of 3D movies will not only stay in the visual experience brought by technology, but also people are more anxious to experience the touching of the soul while enjoying the audio-visual feast . The advent of the film “Teenager School” not only satisfies the expectation of the audience, but also represents a perfect interpretation of technical aesthetics, which gives us a deeper thought on the aesthetic of film technology.