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对比华夏中原文化和楚越文化,探析女书文化渊源于楚越文化巫文化并体现楚越文化的特征。楚越人信巫好鬼,女书受其影响,文字起源于巫术或记事,有祭祀文化。女书受楚越文化中不追求规矩对称,求异求变化的影响,造型独特,左低右高,呈“多”字的菱形形态。女书笔画多弧形,图案想象丰富,形式自由,反映出楚越文化细腻浪漫阴柔之美,成为一种独特的文化传播上的化石。
Comparing the Chinese Central Plains culture with the Chu and Yue cultures, this paper explores that the calligraphic culture originates from the cultural witch culture of Chu and Yue Dynasties and embodies the characteristics of Chu and Yue cultures. Chu Yue people believe in ghosts, female book by its influence, the text originated in witchcraft or memo, worship culture. The women’s book is not the pursuit of the rules of symmetry in the culture of Chu and Yue Dynasties, seek the influence of changes in different, unique shape, left low right high, was “more ” diamond shape. Female book strokes more arcs, imaginative patterns, freedom of form, reflecting the delicate and romantic Chu-culture of the United States and the United States, a unique cultural transmission of fossils.