十年浩劫在他们心灵上留下的伤痕太深了,使之不能忘怀;现在,他们在四个现代化的艰难起飞中看到了祖国的希望,也看到了自己的希望,但是,他们再也不是盲目的、幼稚的孩子,而是已经抛弃了在十年浩劫中被现代迷信蛊惑起来的狂热,开始冷静地、甚至是痛苦地面对着生活。这,可能就是青年艺术家们,通过自己的艺术所探索的问题。 The ten-year catastrophe left deep scars on their minds so that they can not be forgotten. Now they saw the hopes of the motherland and their hope in the four modern hard takeoffs. However, they are no longer Blind, childish child, he has already abandoned the zeal that was bewitched by modern superstitions over the devastation of the Decade and began to face life calmly and even painfully. This may be what young artists have explored through their own art.