本文就所谓后苏联时期的文学经典化过程研究,提出四个在所研究时期发现的、具有经典性潜质的诗学或美学现象或意向:纪实主义、平行世界幻想作品、对异者的掌控和地缘诗学策略以及政治行为主义。选择它们的宗旨在于创新,在于确定那些文学作品的性质——它们在1990年代初还没有被展示出来,或没有作为确定的现象而被接受。在现有的俄罗斯文化史上,文学创作的价值论还从未如此多样、细碎、多层次,而且如此远离始于1980年代末的、建立了文学史观及同期重要文学现象观的监管机制。因此,不能把经典理解为一种单一语义、单一状况的现象。 In this paper, the so-called research on the process of the literary canonization in the post-Soviet era proposes four classical poetic or aesthetic phenomena or intentions found during the research period: documentaryism, parallel world fantasy works, control of foreign bodies and Geopolitical poetic strategies and political behaviorism. The purpose of choosing them is to innovate in determining the nature of those literary works that they have not yet been shown in the early 1990s or have not been accepted as definitive phenomena. In the existing history of Russian culture, the value theory of literary creation has never been so diverse, fragmented, multi-layered, and so far away from the regulatory mechanism that started from the late 1980s and established the concept of literary history and the notion of important literary phenomena in the same period. Thus, the classic can not be understood as a single semantic, singular situation.