论文部分内容阅读
陶瓷印章是一门既古老又年轻的艺术。古往今来,陶瓷印章虽存世不多,但因其特殊的材质也被重视。说其古老,是因为早在新石器时期,陶瓷印章的“鼻祖”已经出现,随后在唐、宋都出现过陶瓷印章。但在元、明时期,制作工序相对复杂的陶瓷印章已经逐步淡出;说其年轻,在现代,陶瓷印章再次被世人提出,陶瓷印章出现了新的发展局面,其参与创作者越发多,并在现代不断出新,美化及丰富着我们的陶瓷印章艺术,给我们以特殊的美的享受。本文通过对陶瓷印章的概述、意蕴的理论分析来进一步对陶瓷印章审美意蕴进行探索研究,最终使得陶瓷印章的艺术审美价值得到越来越多的认可,让更多的篆刻艺术家和陶瓷艺术家参与创作,继续弘扬中华传统陶瓷印章艺术的优秀文化,表达当今独特的陶瓷印章艺术气韵与风格,最终使陶瓷印章艺术得到更为广阔的发展空间。
Ceramic stamp is an old and young art. Throughout the ages, ceramic seals, although not much surviving, but because of its special material has also been valued. To say that it is ancient is because as early as the Neolithic period, the “originator” of ceramic stamps had appeared, followed by ceramic stamps in the Tang and Song dynasties. However, in the Yuan and Ming periods, the ceramic stamps with relatively complicated production processes have gradually faded away. When they were young and in modern times, the ceramic stamps were once again put forward by the world and the ceramic stamps appeared a new development situation. The more involved creators were, the more Modern continuous innovation, landscaping and enrich our ceramic seal art, give us a special beauty to enjoy. In this paper, through the theoretical analysis of the summary and intension of the ceramic stamps, the aesthetic implication of the ceramic stamps is further explored and studied, and eventually the aesthetic value of the ceramic stamps is recognized more and more, allowing more seal carving artists and ceramic artists to participate in the creation Continue to carry forward the excellent culture of the traditional Chinese ceramic art seal, express the unique artistic style and charm of the ceramic seal art, and finally make the art of ceramic seal get a broader space for development.