“超距离审美”是审美主体将自己的审美活动与实用性目的结合起来的审美活动。在超距离审美史上 ,男性以自己确定的审美主体地位 ,将女性本身作为超距离审美的主要对象 ,从而确证了自己的本质力量 ,获得了身心两方面的自信 ;女性的审美主体地位则是在男性文化规范内、相对物品而言的 ,与男性不在同一层次 ,主要审美对象为女人自身和生活常用品 ,审美目的是取悦男性 ,因此她们的超距离审美活动反成了异化自己身心的手段 “Super-distance aesthetics” is the aesthetic activity that aesthetic subjects combine their own aesthetic activities with practical purposes. In the super-long aesthetic history, the male confirms his own intrinsic strength by taking the self-determined aesthetic subject status as the main object of the ultra-distance aesthetic, and obtains the self-confidence both in body and mind; the aesthetic status of the woman is in the Men’s cultural norms, the relative items, and men are not at the same level, the main aesthetic object for women themselves and daily necessities, aesthetic purpose is to please men, so their long-range aesthetic activities into the alienation of their own physical and mental means