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晚明以婚恋为题材的戏剧作品中所表现出来的社会婚恋观念 ,与前代相比有很大的变化 ,这和当时社会的经济发展、思想解放都有着密切的关系。晚明社会婚恋观念的嬗变在戏剧作品中主要体现在对男女情欲和自主择偶的肯定上。在晚明剧作中男女青年自主择偶的情况多了 ,尤其值得注意的是女性自主择偶的比例已大大增加 ,从而表现出女性自主意识的觉醒。晚明的婚恋观念还突破了宗教的束缚 ,而财婚也成为了晚明的时尚 ,爱情也常常和利联系在一起。这些变化是非常深刻的 ,甚至是质的变化 ,在这些变化中包含着社会发展的必然趋势 ,已具有相当的近代意识。
The concept of social love and marriage exhibited in late Ming drama dramas with the theme of marriage and love shows a great change compared with the previous generation. This is closely related to the economic development and emancipation of the society at that time. The evolution of the concept of love and marriage in the late Ming Dynasty is mainly embodied in the affirmation of the sexual desire of men and women and their own mate choice. In the late Ming drama, young men and women are more likely to choose their own spouses. In particular, it is worth noting that the proportion of women choosing mate independently has been greatly increased, thus showing the awakening of women’s self-awareness. Late Ming’s concept of love and marriage also broke through the shackles of religion, and financial marriage has become a late Ming fashion, love is often associated with Lee. These changes are very profound and even qualitative changes. These changes contain the inevitable trend of social development and have considerable modern awareness.