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魏晋发端的自然主义审美的山水画,事实上在其后的很长一段时间里并没有找到与这种审美相契合的艺术形式,山水景观与楼阁界画相结合的宫观山水,带动了青绿山水样式的独立与成熟,而界画也最终成为中国画中一个独立的门类。天水石棺床屏风画,是早期山水界画的雏形,通过对这些建筑图景形式及绘画风格的分析,不仅使我们看到北朝晚期至隋唐建筑山水画的造型特点,同时也为考察山水画从萌芽到成熟的发展轨迹提供了例证。
In fact, in the long period of time afterwards, the aesthetic style naturalistic landscape painting of Wei and Jin dynasties failed to find an artistic form that is compatible with this kind of aesthetic. The combination of landscape and pavilion painting led to the rise of the green landscape The independence and maturity of the landscape style, and the boundary art also eventually become an independent category in Chinese painting. The screen painting of Tianshui sarcophagus bed is the prototype of the early landscape painting. Through the analysis of these architectural forms and painting styles, not only we can see the modeling features of architectural landscape paintings from the late Northern Dynasties to Sui and Tang dynasties, The development path provides an example.