现任北京戏曲学校校长的孙毓敏,是她母校第一期的毕业生,曾受荀慧生的亲炙,但她继承而不拘泥执著,已经超脱了亦步亦趋、刻意模仿某个流派的境界。她演的《玉堂春》就颇有代表性。京剧《玉堂春》是家喻户晓的传统戏,虽然唱词、板式、场次结构基本相同,但各个流派(王瑶卿、四大名旦、黄桂秋、徐碧云、王芸芳及张君秋等)都有不同的艺术处理和特色。此戏由花衫行当应工,但演起解、会审者多偏重唱工,归青衣路;荀派偏重做工,表演近于花旦。各派一般只演起解、会审两折;王派与尚派加演监会、团圆;荀派则增益首尾,成为情节完整的全部。荀慧生避免前后重复,把“起解”压缩一 Sun Yumin, now president of the Beijing Opera School, is the first graduate of her alma mater. She was personally loved by Xun Hsueh-sheng. However, she inherits her attitude without restraint, and she has gone beyond the limits of her time by deliberately imitating the realm of a genre. She played “Yutang Spring” is quite representative. Peking opera “Yutang Spring” is a well-known traditional drama. Although the lyrics, the plate and the stage structure are basically the same, all the schools (Wang Yaoqing, the Four Famous Fame, Huang Guiqiu, Xu Biyun, Wang Yunfang and Zhang Junqiu) have different artistic treatments and characteristics. This play should be done by the fancy shirt, but the acting solution, the courtiers will pay more attention to singing, to Tsing Yi Road; Xun send emphasis on workmanship, performing nearly Huadan. The factions in general only play a solution, will be tried twice; Wang faction and still send plus the Commission, reunion; Xun-faction is the beginning and end of the gain, become the plot complete. Xun Huisheng avoid duplication, the “solution” compression one