中国新时期流行音乐的发韧,首先可以从施光南、王酪、王立平及张丕基、谷建芬等人的作品算起。这一时期的主要倾向是反“高、强、硬、响”的文革音乐观,恢复了文革前革命抒情歌曲的创作传统,并带有强烈的时代气息。 施光南的歌曲创作以《打起手鼓唱起歌》为标志,在文革中就形成了重视节奏作用、重视民族音乐因素的大众化歌曲风格。这一风格,在 In the new era of China, the development of popular music can start with the works of Shi Guangnan, Wang Mo, Wang Liping, Zhang Piji and Gu Jianfen. The main tendency during this period was against the concept of “high, strong, hard and ringing” of the cultural revolution, and restored the creative tradition of revolutionary lyric songs before the Cultural Revolution with a strong contemporary flavor. Shi Guangnan’s songwriting is marked by “Singing the hand drum and singing the song”. During the Cultural Revolution, a popular song style that emphasized the rhythm and attached importance to the national music was formed. This style, at