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目前雕塑界处于十分活跃的状态,引发了我们的乐观主义情绪,而正是这种情绪遮避了我们对雕塑问题严重性的认识。《当代雕塑的问题和思考》一文认为,雕塑的非雕塑化问题,雕塑家的当代情感与传统雕塑样式的冲突,学习和借鉴西方现代雕塑问题,雕塑的民族化问题,环境雕塑与架上雕塑分家问题等,都值得我们认真思考,作者就这些问题谈了自己的见解。 中国古典雕刻具有怎样的美学特征?陈云岗先生研究认为,中西方的古典艺术虽然都是人的精神意象性表达的外化形态,但中国人强调“意”,西方人则关注“形”。中国古典雕刻既保持了与自然的整体性,又显示了人的主体性,于是走上了一条超现实的道路。 陈少丰教授是著名美术史家和美术教育家,治学态度严谨,他对中国雕塑史的研究尤具独有学术价值。教书育人,为人师表,其人品学养堪称楷模。
The current state of the sculpture community is very active, triggering our optimism, and it is this mood that has overshadowed our awareness of the seriousness of sculpture. The article “Problems and Considerations of Contemporary Sculpture” argues that the sculptures are not sculptured, the contemporary emotions of sculptors conflict with traditional sculptural styles, and the western modern sculptures, the nationalization of sculptures, environmental sculptures and scaffoldings Dividing questions, etc., are worthy of our serious consideration, the author talked about their own views on these issues. According to the research of Mr. Chen Yungang, although classical Chinese and Western art are all externalized forms of mental imagery expression, Chinese emphasize “intention” and Westerners pay attention to “form”. Chinese classical sculpture not only maintains the integrity with nature, but also shows the subjectivity of mankind, so he embarks on a surreal road. Professor Chen Shaofeng is a famous art historian and art educator with a rigorous academic attitude. His research on the history of Chinese sculpture is of particular academic value. Teaching and educating people, as a teacher, his moral character education is exemplary.