刘德润、李燕伉俪二人在八十年代初开始步入艺坛。他们身置时髦风潮之中,却没有失掉自己的主体意识,他们坚定地认为艺术灵感的源泉在生活之中。他们一头扎进乡村,潜心观察、体验乡村生活的变化、诗意、哲理和纯美,经过十余年的努力,他们拿出一批鲜活、有生命力、带着浓郁生活气息和泥土芬芳的创作展现在中国美术馆的厅堂中,引起首都观众的瞩目。刘德润创作过年画、版画、插图、连环画、壁画、油画,画路较宽,艺术实践的范围较广。李燕喜爱装饰,曾热衷过意象构成,有志于绘画哲理性内涵的探索。我把80年代初至80年末这段时间看成是他 Liu Derun, Li Yan Li and other two in the early eighties began to enter the art world. They are in the fashion trend, but did not lose their subjective consciousness, they firmly believe that the source of artistic inspiration in life. They plunged themselves into the village and devoted themselves to observing and experiencing the changes, poetics, philosophy and purity of rural life. After more than a decade of hard work, they came up with a series of works that are fresh and lively, with a rich flavor of life and earthy fragrance In the auditorium of the China Art Gallery, it attracted the attention of the capital’s audience. Liu Derun Chinese New Year paintings, prints, illustrations, comics, murals, paintings, painting a wide road, a wide range of artistic practice. Li Yan loved to decorate, had craved the image composition, interested in exploring the philosophical connotation of painting. I think of the period from the early 1980s to late 1980s as him