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“民族大团结”的创作过程黄卫星:您在大型音乐舞蹈史诗《东方红》中负责藏族舞蹈的编排和表演,能不能谈一下您当时是怎样进入《东方红》创作组的?欧米加参:我记得参加《东方红》大歌舞之前,也就是1962年初,我们中央民族歌舞团正在组织编创一个舞剧,叫做《百万农奴站起来》,当时计划这个舞剧包括四场和一个尾声。排到第三场还没有正式演出的时候,当时已经成立的《东方红》指挥部下了一个通知,要求北京市所有文艺团体的人和全国各地有名的编导都来参加《东方红》大歌舞的排练,于是《百万农奴站起来》就暂停排练。
Creative Process of “National Unity” Huang Weixing: You are in charge of the arrangement and performance of Tibetan dance in the grand music and dance epic “Dongfanghong”. Could you talk about how you got into the creation of “Dongfanghong” at that time? Ginseng: Before I remember participating in the song “Dongfanghong”, that is, at the beginning of 1962, our Central Ethnic Song and Dance Troupe was organizing a series of ballet to be called “One Million Serfs Stand Up”. The program was planned to include four games and one ending. To the third field has not yet formally performed when the already established “Dongfanghong” under the command of a notice, requiring all cultural groups in Beijing and famous directors all over the country have come to participate in “Dongfanghong” big song and dance Rehearsal, so “a million serfs stood up” to suspend rehearsal.