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感受是播音创作主体备稿时不容忽视的一环,有的人备稿时在稿件的结构和语言技巧的设计上下了许多功夫,而播出效果却并不理想,原因往往在于对稿件内容缺乏具体的感受,因而播音中的态度和感情不够鲜明、饱满,语言技巧也缺乏充实的内心依据。不能有感而发,不能声情并茂,不能感染和打动听众。有声语言缺少变化、单调呆板。本人在学习过程中,同样存在如此的问题,所以,结合对本专业学习过程的理解和体会,本文围绕播音感受是什么(分别从内涵、构成和生成三个角度去阐释),播音感受的价值所在,如何获得较强播音感受力三个层次,进一步巩固,加深对播音感受的理解认识,希望在今后播音创作中真正做到“感之于外,受之于心”。
Feelings are the main part of the broadcast when writing can not be ignored, some people prepared draft manuscript structure and language skills in the design of a lot of effort, but the broadcast is not ideal, the reason is often due to lack of manuscript content Specific feelings, so broadcast attitude and feelings are not clear enough, full, language skills also lack a solid internal basis. Can not feel, can not be both emotional, can not infect and impress listeners. Loud voice changes, monotonous dull. I also have such a problem in the learning process. Therefore, combining the understanding and experience of this professional learning process, this article focuses on the feeling of broadcast (from the connotation, formation and generation of three perspectives to explain), the value of broadcast experience , How to get a stronger sense of broadcast three levels, to further consolidate and deepen the understanding of the broadcast experience, I hope in the future broadcast truly “feeling outside, subject to the heart ”.