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换天是我在荣宝斋画院的一个学生。他为人憨厚朴实,衷情于中国传统文化。他学习传统经典,直追宋、元,旁汲传统文人画,大量研究式的临摹为他打下深厚的根底,加上他带创作目的的写生,使他在传统与现代之间出入自由,游刃有余。因为学习中国画,一定要重视中国传统文化,中国的传统文化才是中国画的根基,没有传统文化做基础中国画是没有根的,是无源之水、无本之木,是走不远的。
Another day is a student of Rong Bao Zhai Art Academy. He is simple and honest man, sincere feelings of Chinese traditional culture. He studied the traditional classics and pursued the Song and Yuan Dynasties, drawing on the traditional literati painting. A large number of research-based copylines laid a solid foundation for him. In addition, his sketching with creative purposes made him free and easy to navigate between tradition and modernity . Because learning Chinese painting, we must attach importance to Chinese traditional culture, Chinese traditional culture is the foundation of Chinese painting, without traditional culture as the foundation Chinese painting is without roots, is a passive water, without the wood, is not far away.