中国诗学中的印象式批评是一种感悟式的批评,往往以意会和形象说诗,具有直观性和鉴赏性的特点。从孔子“兴观群怨”的诗学观,重政教感化,到钟嵘《诗品》具象式解诗再到陆机《文赋》推举纯艺术性体认、严羽《沧浪诗话》以禅喻诗,玄妙的喻说方式。这些中国传统诗论中主观印象式的批评,虽对诗歌兴发感人的力量有所体悟,但由于批评主体往往既是批评家,又是创作者,这种双重身份也常会模糊或弱化批评主体的身份。直到近代王国维《人间词话》 Impression criticism in Chinese poetics is a kind of sentiment criticism, which is often characterized by its intuitiveness and appreciativeness. From Confucius “Xing Guan group ” poetics view, emphasis on political teachings, to Zhong Rong's “poetry” figurative interpretation of poetry and then Lu Ji “Wen Fu” recommended a purely artistic recognition, Yan Yu “Canglang poetry ”Zen to poetry, mysterious metaphor. Although these subjective impression criticisms in these traditional Chinese poem theories have comprehended the flourishing power of poetry, since the subject of criticism is often both a critic and an author, this double identity often obscures or weakens the main body of criticism Identity. Until the modern kingdom “human words”