日本文坛巨将、“战后派”著名作家大江健三郎是继川端康成之后第二位获得诺贝尔文学奖的日本作家。他的作品既深刻犀利,又不乏针砭时弊的笔锋,充分展示了其社会“批评家”的特色,体现了他作为“时代良心”的风貌。而大江文学的一个重要特征就是将自身的切实体验,生活中的痛苦和遇到的挫折投影到他的作品中,从而塑造出逼真的人物形象。本文拟通过对大江健三郎《万延元年的足球队》中主人公蜜三郎的人物形象的评析,来认知大江文学的创作理念,透析大师的创作手法,从而对文学工作者起到某些启示。 Japanese literary giant, “post-war faction ” famous author Kenzaburo Oe Kenzo is the second Japanese writer who won the Nobel Prize for Literature after Kawabata Yasunari. His works are both profound and sharp, and there are still many shortcomings that highlight the characteristics of his society as “critics,” which shows his style as a “conscience of the times.” However, an important feature of Oe’s literature is that it projects his realistic experience, the pain in his life and the setbacks he encounters into his work so as to create realistic characters. This essay intends to make some inspirations for literary workers through the analysis of the character of Ozawa Oda who is the main character of Kenzaburo Oe ’s "soccer team in the first year of Wan.