这些“剧二代”几乎都是在备受期待中诞生,又在“呱呱落地”后迅速遭遇一波波“太雷”“太恶搞”之类的骂声。观众既爱且恨:它既满足了“看下去”的希望,同时又带来“一代不如一代”的失望。从减压的角度,好像雷雷更健康,但在国内文学界一直不太景气的前提下,滥造影视剧的进一步“污染”无疑将会影响几代人的文学情操。当有网友表示“强烈支持妖怪吃掉唐僧”“强烈支持西门庆和潘金莲从此过上幸福的生活”时,吴承恩和施耐庵在天之灵恐怕早已“泪流满面”。 Almost all of these “dramas” are born in much anticipation and quickly experience a wave of scolding such as “too”, “too spoofing” after “quacking”. The audience both loves and hates: it not only satisfies the hope of “looking” but at the same time brings about the disappointment of “generation after generation”. From the decompression point of view, it seems that Rayleigh is more healthy, but in the domestic literary community has been less prosperous premise, indiscriminate film and TV drama further “pollution ” will undoubtedly affect generations of literary sentiment. When some netizens said that they strongly support monsters eating the monk, strongly support Ximen Qing and Pan Jinlian to live happily ever after, Wu Cheng’en and Shi Naian are afraid to have long tears in the sky.