从上个世纪90年代开始,底层作家与作品及底层本身一直是中国当代人文学者高度关注的研究对象,如果我们将关注点集中于底层作家的这一角度来审视,那么作为底层本身一员的新锐作家陈年最具发言权。他的文章中所反映出的底层更真实、更现实,从中既能够窥探出底层人物肩上所担负的社会重任、家庭责任;又能够理解他们为了弥补现实的不足,而忽略了自己内心最为质朴理想的现实举措,这一主体性理想的缺失难道不是底层写作的真正意义与价值所在吗? Since the 1990s, the writers and works in the bottom and the bottom have always been the objects of study that the contemporary Chinese humanities scholars pay close attention to. If we look at the focus of the writers in this field, Cutting-edge writers aged most say. The bottom of his article reflects a more realistic and realistic reality, which can not only reveal the social responsibilities and family responsibilities shouldered by the bottom people, but also understand that in order to make up for the reality, they neglect their innermost simplicity Ideal reality move, the lack of subjective ideals is not the bottom of the true meaning and value of writing?