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“先锋戏剧”概念在当代中国的接受,是一个不断实验和改写的过程。作为一个产生于西方语境的术语,“先锋戏剧”被中国戏剧界广泛地用来指称20世纪后半期的“新时期”的探索性和实验性戏剧。某种意义上,这一书写遮蔽了中、西不同戏剧生态之间的差异。中、西“先锋戏剧”有着完全不同的反叛对象,中国式“先锋戏剧”缺乏西方式“先锋戏剧”所包含的那种“无政府主义”、“反文学”和“商业主义批判”内容。而21世纪以来中国式“先锋戏剧”所呈现的娱乐化与大众化倾向,又与全球性的“先锋戏剧”的衰落不无关联。
The acceptance of the concept of “Pioneer Drama” in contemporary China is a process of continuous experimentation and rewriting. As a term arising from the Western context, “Pioneer Drama” is widely used by the Chinese theater industry to refer to the exploratory and experimental drama of the “new period” of the second half of the 20th century. In a sense, this writing obscures the differences between the different kinds of dramatic ecology in China and the West. Chinese and Western pioneers play a completely different object of rebellion. Chinese-style Pioneer Drama lacks the anarchist style that Western-style pioneers play in anti-literature “And ” commercial critique “content. However, the tendency of entertainment and popularization presented by the Chinese style ”Pioneer Drama“ in the 21st century is not unrelated to the decline of the global ”Pioneer Drama".