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在胡峻涤的早期作品中,我们可以看到那些东方古典调式是通过空灵的意境,以及静止的时间和空间的处理来实现的。虽然在作品中,胡峻涤是将那种精神性的纯美境界依附于一些优雅的女性形象来实现的,但是还是可以明显地感受到其中对于中国古典文学和传统绘画的美学精神的借鉴。可以说,这样的作品风格是八面玲珑的,画面既优美,格调也不俗。但
In the early writings of Hu Jundi, we can see that the oriental classical style was realized through ethereal artistic conceptions and the static temporal and spatial processing. Although in his works Hu Jundi was attached to some elegant feminine images of the pure spiritual realm, he could obviously experience the reference to the aesthetic spirit of Chinese classical literature and traditional painting. It can be said that this style of work is smooth and colorful, the picture is beautiful and the style is not bad. but