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道光时期,随着碑学理论的逐步完善和影响的进一步扩大,碑派书法创作也进入了一个崭新的发展阶段。取法碑版的观念在碑派书法家的影响之下逐渐深入人心,何绍基碑派书法在这样的环境中发展起来。何绍基(1799—1873),字子贞,号东洲、蝯叟,道州人。何绍基的书法风格的形成是承家学,以颜体为基础,复入北碑。他学北碑主张以篆、隶意趣入楷书。何绍基在北碑与隶书方面的实践更具深度与系统性。他
During the Daoguang period, with the gradual improvement of the theory of the tablet inscription and the further expansion of its influence, the calligraphy of the inscriptions also entered a brand new stage of development. Under the influence of the calligraphers, the concept of taking the tablet gradually gained popular support and the calligraphy of He Shaoji was developed in such an environment. Ho Shaoji (1799-1873), Zi Zi Zhen, No. Dongzhou, 蝯 叟, Taozhou people. He Shaoji’s style of calligraphy is Cheng Jiaxue, based on the body, into the North Monument. He studied North Monument advocated to Zhuan, Li Li interested in regular script. He Shaoji’s practice in Bei Bei and the official script is more profound and systematic. he