《武藏野夫人》是大冈升平的第一部恋爱小说。女主人公道子在日本当时的社会背景下既具有日本女性对于婚姻的传统意识,面对不幸的婚姻时,又以自己的方式表达对社会、对命运的无声反抗。“道子”这一形象反映出了战后日本女性的典型性和二重性。本文拟从生活轨迹、思想轨迹、男性视角三个角度分析“道子”这一女性形象的悲剧命运。 “Musashino Lady” is the first Ozawa Sheng Ping’s love story. Under the social background of Japan at that time, the heroine and the fairy have both the traditional awareness of Japanese women for marriage and, in the face of the unfortunate marriage, express their own silent rebellion against society and fate. The image of “Michiko” reflects the typicality and duality of post-war Japanese women. This article intends to analyze the tragic destiny of the female image of “Dao Zi” from the perspectives of life trajectory, ideological trajectory and male perspective.