本文就洛奇的处女作《电影迷》一一他早期的一部严肃的现实主义小说进行语言分析,追寻文本中三个层面上的跷跷板图案,从而证实其学术处女作《小说的语言》提出的观点:小说——包括早期的现实主义小说——的媒介是语言,小说的艺术也是语言的艺术,用于诗歌阐释的细读也能应用于小说分析,诸如意象、象征、张力和反讽等术语也能在小说中找到一席之地,具体的方法是在整部小说的语言中寻求重要线索的图案。 This article analyzes Lodge’s debut novel “The Movie Fan,” a linguistic analysis of one of his early serious realist novels, and the pursuit of three-dimensional seesaw patterns in the text to substantiate his academic debut novel “The Language of Fiction” : Novels - including Early Realistic Fictions - are the medium of language, the art of fiction is the art of language, the reading of poetry interpretation can also be applied to novel analysis, terms such as imagery, symbolism, tension, and irony also apply Find a place in the novel, the specific method is to find important clues in the language of the whole novel.