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随着人们物质文化生活与欣赏水平的逐步提高,作为具有物质的与精神的双重属性的工艺美术品,只有不断更新与开发新的产品,才能适应和满足人们的需求。产品的开发应具有时代特点,而且是循序渐进的,体现着不同时期人们的需求变化。工艺美术品的造型、纹样、色彩都反映了当时科学技术与经济的水平,也反映了人们的审美心理。因此,不断的适时的开发工艺美术新产品,适应人们的物质文化生活的需要,是历史赋予我们的职责。一、产品开发与人及环境的关系工艺美术品的作用是美化人民生活,人是生活在各个环境之中。因此,工艺美术品的开发与人及环境有着密切相关和不可分割的联系。工艺美术作为人类在生产实践中创造的“为我之物”,在任何历史时代、任何政治经济条件下,都具有物质和精神的双重属性,即适用性和审美性。任何人都离不开穿农、吃饭、住房使用器物等等、各人的修养高低,知识范围的宽窄,审美情趣的差异,以及所处地域、民族、生活和工作环境以及习
As people’s material and cultural life and appreciation of the gradual increase in level, as a material and spiritual dual attributes of the arts and crafts, only by constantly updating and developing new products to adapt and meet people’s needs. Product development should have the characteristics of the times, but also step by step, reflecting the changing needs of people in different periods. Arts and crafts modeling, pattern, color reflects the level of science and technology and economy at the time, but also reflects people’s aesthetic psychology. Therefore, the constant timely development of new products of arts and crafts to meet the needs of people’s material and cultural life is the responsibility given by history. First, the product development and the relationship between people and the environment The role of arts and crafts is to beautify people’s lives, people live in various environments. Therefore, the development of arts and crafts and people and the environment are closely related and inseparable link. As a “thing for me” created by mankind in production practice, arts and crafts have the dual attributes of material and spirituality in any historical era and under any political and economic conditions, that is, applicability and aesthetic. Anyone can not do without farming, eating, housing, utensils and so on, each person’s level of cultivation, the breadth and breadth of knowledge, differences in aesthetic taste, as well as the geographical, ethnic, living and working environment and Xi