对一代戏剧大师黄佐临,我总是怀着特别的敬重和景仰。他学贯中西、遐迩闻名,在半个多世纪的艺术人生中,导演过百多部戏剧和电影;此外,他还为构建中国话剧演剧体系的新格局,具有前瞻性地提出了“写意戏剧观”这一命题。在我还是一个中学生时,曾看过佐临先生执导的话剧《激流勇进》和《霓虹灯下的哨兵》。若干年后,仿佛命运使然,我真的有缘进了艺术学校学习戏剧。在上专业课时,老师曾给我们开列过一些相关书目和剧本,其中就有佐临先生的《漫谈“戏剧观”》和《胆大妈妈 For a generation of theater master Huang Zuolin, I always cherish special respect and admiration. He has learned both Chinese and western cultures and is well-known for being well-known in the world. In over half a century of his artistic life, he has directed over 100 plays and films. In addition, he also proactively proposed “Freehand Brushwork” for creating a new pattern of Chinese drama drama system. Drama concept “of this proposition. When I was a middle school student, I had seen the dramas directed by Mr. Zuo Lin, ”Torrent“ and ”The Sentinel Under the Neon Lights.“ A few years later, as if destiny, I really got into art school learning drama. In the professional class, the teacher has given us a list of related books and scripts, including Mr. Zuo Lin's ”talk“ drama ”“ and ”bold mother