传统山水画依靠画家们在户外以纯视觉先体验和欣赏风光,之后再在画斋中进行创作,因此传统中国画并不存在完全的“写实”概念,中国画家的“写真”画作中的对象必然会随着画家本人的情思而改变,正所谓“外师造化,中得心源”。而自从中国画引入了西方的对景写生方法后,先是人物再是风景画家们纷纷进行写生,直接带动了绘画整体的改变,写生成为创作前的重要阶段甚至也成为直接创作的一种方式。 Traditional landscape painting relies on painters to experience and enjoy the scenery in pure outdoor in the outdoors before writing in the studio. Therefore, traditional Chinese painting does not have a completely “realistic” concept. In Chinese paintings, The object will inevitably change with the painter’s own emotions, is the so-called “outsider good fortune, in the heart ”. Since the introduction of western landscape painting methods into Chinese painting, landscape painters have been painting sketches one after another, which has directly led to changes in painting. Sketching has become an important stage before creation and even a way of direct creation.