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去年秋冬以来,纽约连连受挫的印象派、现代艺术及战后当代艺术拍卖结果已是明显警报。2008年12月4日至7日,全球艺术圈都为美国南部这个年终最后的艺术大卖场——巴塞尔迈阿密艺博会,屏住呼吸。经济上的暴风骤雨会在多大程度上投射到这个艺术盛典?画廊如何应对?收藏家感觉怎样?无论如何,博览会依旧展现着后现代概念主义娱乐化的绚丽与时尚。而中国当代艺术在迈阿密海滩上的表现,一边仍是不厌其烦的政治波普与花哨艳俗,一边则是更为多元自省和内敛呈现的柔和反讽。谁将吸引更多观众的青睐?在这个全球同台竞技的大平台上,一览无余。
Since fall and winter of last year, New York’s frustrated impressionists, modern art and post-war contemporary art auction results have been clearly noticed. December 4, 2008 to 7, the global art circles are the southern United States this year-end art hypermarket - Basel Miami Art Fair, hold your breath. To what extent does an economic storm shower the art festival? How does the gallery handle it? How does the collector feel? In any event, the fair still shows the glittering and fashionable entertainment of postmodern conceptualism. The performance of contemporary Chinese art on Miami Beach, on the other hand, is still bashful of political pop and gaudy grizzled style, while on the one hand it is a more subtle reflection of more introspection and restraint. Who will attract more audiences? In this global platform for the same stage, glance.