主持人语 中国人对“表现性”、”抽象性”的艺术语言不乏领悟力本期·美术家·着重反映这种领悟力的当代体现。凭自我的“质感”,用生命最活跃的“触觉”,抚摸画布上的形形色色,准确把握自己与绘画之间的一种整体感觉“本期名家”贾涤非本着这种信念,在自己的作品上,呈现出他的人格意志。四川美术学院部分青年教师对“平实状态”具有共识 其中包含对艺术家人格价值、文化心态和行为方式的看法:对当今艺术现状及美术批评 的批评,这反映了时下“艺术心路”的一种颇带普遍性的趋向就甘肃画院作品展阐发的关于绘画集群风格建设的意见,几篇关于画家和作品的评价,都以“品评“方式不同程度地涉及到一些值得关注的现实问题。人生是艺术的支点,大概也是艺术阐释的最终依据。增设“艺术家传记”小栏目,旨在把斑斓的艺术还原到艺术家的朴素生活中去认识,从本期开始,我们将逐步走近吴冠中。 □吕品田 Moderator Chinese The Chinese have no lack of understanding of the artistic language of “expressiveness” and “abstraction”. This period, the artist, emphasizes the contemporary embodiment of this perception. With his own “texture”, with the most active life “touch”, touching all kinds of canvas, accurately grasp the overall feeling between himself and the painting “Current famous” Jia Difei in this belief, in his own work On, showing his personality and will. Some Young Teachers at Sichuan Academy of Fine Arts Have Consensus on “Ping-state” Which Contains the Views on the Personality, Cultural Attitude and Behavior of Artists: Criticism of Today’s Art Status and Art Criticism, Which Reflects A Comparative Study of Contemporary Art The general tendency is to express opinions on the construction of the style of painting clusters in the paintings exhibition of Gansu Painter’s Academy. Several evaluations of painters and works all involve some realistic problems worthy of attention in the way of “quality evaluation”. Life is the fulcrum of art, probably the ultimate basis for the interpretation of art. The addition of a small section entitled “Biography of Artists,” aims to restore gorgeous art to the artist’s simple life. From the beginning of this issue, we will gradually approach Wu Guanzhong. □ Lu Pin Tian