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作为舶来品,“音乐剧”这一舞台艺术形式进入中国已30余载。多年来,除了引进原版音乐剧以及进行中文版的制作外,就国内目前现状而言,原创类音乐剧的创作依然举步维艰。就上海来说,上海文化广场是本土第一个以音乐剧演出和制作为主要定位的剧院。从2012年至今,已连续六年举办了“原创华语音乐剧展演”和论坛,上演了20多部作品。本组稿件正是以此为契机,选取了近两年展演的《摇滚·西厢》《紫石街》《向左右,向右走》《海上音》《狂奔的拖鞋》这五部音乐剧为观察对象,试图通过它们来管窥中国原创音乐剧的特色和发展现状。当然,展演的剧目仅是国内每年诞生的原创音乐剧的冰山一角,其数量的增长并不意味着原创音乐剧的春天已然降临。幸而,中国的原创音乐剧人们始终在曲折荆棘中负重前行。道阻且长,但,我们一直在路上。
As exotic goods, “musical ” this stage art form into China has more than 30 years. Over the years, in addition to the introduction of original musicals and the production of Chinese versions, the creation of original musicals remains difficult in terms of the current status in China. Shanghai, Shanghai Cultural Square is the first local theater to perform and production as the main orientation of the theater. From 2012 to the present, “Original Chinese Musical Show” and forums have been held for more than six consecutive years, staging more than 20 works. This set of manuscripts took this as an opportunity to select five Musicals from “Rock and West Wing”, “Zishi Street”, “to the left and right, to the right,” “Sea tone,” and “Running slippers” in the past two years As the object of observation, trying to find out the characteristics and development status of Chinese original musicals through them. Of course, the show’s repertoire is just the tip of the iceberg of the original musical that takes place each year in China. The increase in numbers does not mean that the spring of the original musical has come. Fortunately, the original musicals in China have always been the twists and turns in the weight-bearing forward. Road resistance and long, but, we have been on the road.