苏轼常被指为好议论好批评,其根源在于他对“道”之内涵的多元认知。苏轼从不迷信执著“儒”“释”“道”任何一家学说,而坚持从批判中求取“实美”。苏轼文学思想中的“实美”精神则实现了“超越批判”的飞跃。具体到诗歌创作,苏轼强调独立创作立意,艺术人格与温柔敦厚诗教三者的“实美”统一。 Su Shi is often referred to as a good argument for good criticism, the root of which lies in his multiple understanding of the connotation of “Tao”. Su Shi never superstitious adherence to “Confucianism ” “release ” “Road ” any one doctrine, and insisted from the critique to seek “real beauty ”. The spirit of “real beauty” in Su Shi's literary theory realizes the leap of “beyond criticism”. Specific to the creation of poetry, Su Shi emphasizes the unity of the concept of independent creation, artistic personality and gentle, graceful and poetic teaching.