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新世纪以来的戏剧创作中,剧本日益难以根据文学的自律性进行生产,呈现出和从前的戏剧文学传统不一样的面貌。本文通过从当下戏剧文学的式微现状进行分析,并研究其呈现的状态和存在的方式,认为在艺术消费多样化和表达方式丰富化的语境下,文学在戏剧实践中的价值正在重构。剧本过去无可替代的地位相对落寞了,但它还有细微和广阔的自我实现的路径,这只是其完成现代性转换的症候而已。
In the dramatic creation since the new century, the scripts are increasingly difficult to produce according to the self-discipline of literature, showing a different appearance from the traditional drama and literary tradition. By analyzing the current situation and the mode of existence of drama literature, this paper argues that the value of literature in the practice of drama is being reconstructed in the context of the diversification of artistic consumption and the enrichment of expressions. The irreplaceable position of the script in the past is relatively lonely, but it has a subtle and broad path to self-realization. This is only a symptom of the completion of the transition to modernity.