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精神分析学家弗洛伊德曾涉足美术批评领域,虽被视为旁门左道,但开辟了精神分析学的美术批评,扩大了美术史和批评的视野。本文以弗洛伊德的收藏古物嗜好为考察点,探讨其对古代神话的重新解读和特殊发现,如何赋予其新的意义和持久生命力,以及他的犹太出身和传统感情暗示,如何影响他在神话、艺术和文学领域,选择自己的祖先,以寻找解释精神生命的谜语的线索:他的贡献是探索被现代研究者所忽略的软事实,而非现代研究者关注的实验数据等硬事实。
Although psychoanalyst Freud has been involved in the field of fine arts criticism, although regarded as a go-go, he has opened up the art criticism of psychoanalysis and expanded the horizons of art history and criticism. This article takes Freud’s collection of antiques as the research point, explores its reinterpretation of ancient myths and special discoveries, how to give it new meaning and lasting vitality, as well as his Jewish origin and traditional feelings and hints, how to influence him in Myths, art, and literature, to find clues to the mystery of spiritual life: his contribution is to explore hard facts that are ignored by modern researchers rather than the experimental data that modern researchers are concerned about.