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本刊1989年第4期的《印度美术》图录主要介绍印度的佛教艺术。本期主要介绍印度教艺术。 自笈多时代以降,印度教艺术开始勃兴,至印度中世纪(约公元7—13世纪)臻于鼎盛。印度教是印度文化的正统和主流,遵奉《吠陀》为天启圣典.从《奥义书》衍生出婆罗门六派哲学体系,以亲证个体灵魂“我”与宇宙精神“梵”同一为灵魂解脱的最高境界.印度教崇拜的三大主神梵天、毗湿奴、湿婆,都是宇宙精神的化身,宇宙生命的象征。印度教艺术是印度教哲学的图解、象征和隐喻,崇尚宇宙生命的活力,在艺术表现上充满繁缛的装饰、奇特的想象和夸张的动态,被称作印度的巴洛克风格,并带有超现实的神秘主义色彩。
The 4th issue of the 1989 issue of “Indian Art” catalog mainly introduces Indian Buddhist art. This issue mainly introduces Hindu art. Since many times, the art of Hinduism began to flourish and reached its peak in the Indian Middle Ages (about 7th-13th century AD). Hinduism is the orthodox and mainstream of Indian culture, following the “Vedas” as the Apocalypse of Holy Scriptures. From the Upanishads, the philosophical system of the six Brahmins is derived from the belief that the individual soul “I” and the cosmic spirit “Vatican” The highest state of Hinduism worship of the three main Brahma, Vishnu, Shiva, are the incarnation of the spirit of the universe, a symbol of the life of the universe. Hinduism is a graphic, symbolic and metaphor of Hindu philosophy. It embodies the vitality of cosmic life. It is full of exuberant decorations, strange imagination and exaggerated dynamics in artistic expression. It is called the Baroque style of India and contains surreal mysteries Colorism