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曹禺的《雷雨》是一部一经问世就颇有争议的作品,由于《雷雨》丰富的思想内涵以及作家特殊的人生哲学,导致一直有大量的文学评论和研究伴随着它。本文不同于前人对该作品人物、主题、作家等方面的研究,而是把它放在读者反应批评的视阈下去解读它之所以被众说纷纭、备受争议的的原因。主要从文本结构、读者以及接受媒介与手段这三个角度出发,运用读者反应批评的相关理论阐释《雷雨》在接受过程中出现的作品的客观意义超出作者的主观设想、主题与人物的多义性、作品的影视改编等文学现象。
The “thunderstorm” of Cao Yu is a controversial work once published. Due to the rich thoughts and connotations of Thunderstorm and the special philosophy of life of writers, there has been a great deal of literary criticism and research accompanying it. This article is different from the predecessors’ researches on the characters, themes and writers of the work. Instead, it puts readers at the threshold of reaction criticism to explain why it is controversial and controversial. From the perspectives of text structure, readers and media and means, the author uses the relevant theories of reader response criticism to explain that the objective meaning of the works appearing in the process of acceptance of Thunderstorm is beyond the author’s subjective assumptions, the polysemy of subjects and characters Sex, the adaptation of works of film and television and other literary phenomenon.