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中国的当代艺术没有经历过现代艺术的发展阶段,因此存在诸如时间短、发展快、样态多、起伏大、观念杂等弊端。同时,这也造成中国的当代艺术往往在别人的语境里鹦鹉学舌——复制、挪用、命名、生产,扭曲,进而抹煞掉真正的艺术个性。“要打破这种文化的霸权,就要让艺术回归自然,回归泥土,回归身体”。基于此,反思我们的历史文脉、社会形态、文化内涵,进而确立自己的艺术品格,建设安身立命的精神家园,这就成为当代艺术实现突破的当务之急。
China’s contemporary art has not experienced the development stage of modern art, so there are shortcomings such as short time, rapid development, multi-modalities, ups and downs, miscellaneous concepts and so on. At the same time, it also causes Chinese contemporary art to copy, misappropriate, name, produce and distort parrots in other people’s contexts, thus erasing the true artistic individuality. “To break the hegemony of this culture, we must let art return to nature, return to earth, return to the body ”. Based on this, we should reflect on our historical context, social form and cultural connotation so as to establish our own artistic character and build a spiritual home to settle down. This has become a top priority for contemporary art to achieve breakthroughs.