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为纪念曹寅逝世三百周年,特撰本文论述其剧作三种。1.指出其《北红拂记》与以前同题材作品的关系以及剧中表现的“识人”“识势”的涵义;2.重点探讨了其代表作《续琵琶》在中国戏曲史上的地位、独特的人文价值、艺术特点,并推断其创作时间大抵在康熙三十一年至三十八年之间,对相关史料(如《在园杂志》等)的记载亦有所辨析;3.归纳了《太平乐事》的三大特点,以说明该剧与一般的歌舞升平之作的不同;4.最后对《虎口余生》的有关问题亦有简单的议论。
To commemorate the 300th anniversary of Cao Yin’s death, this essay discusses three of his dramas. 1. Point out the meaning of “Bei Hong Fu Ji” and the previous works with the same themes as well as the meaning of “knowledge” “awareness ” in the play; 2. Focus on the representative works of “sequel” in China The position in the history of the opera, the unique humanistic value and the artistic features, and deduces that the time of creation is probably between the thirty-one years and the thirty-eight years of Kangxi, and the records of related historical materials (such as “The Garden Magazine”) 3. Summarize the three characteristics of “The Joy of Taiping” to illustrate the differences between the play and the general singing and dancing; 4. Finally, there are also some simple discussions on the related issues of the “Hukou remaining life.”