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2.扩展扩展是在原唱词字数不变,根据戏剧内容需要而采用的一种曲调变化手法。扩展手法常引起唱句结构长度的增长或曲调的复杂化。扩展手法常用于:(1)相同板式的不同唱段。(2)派生板式。下面分别举例说明。 (1)扩展手法用于相同板式的不同唱段,是指某一唱句结构内部的扩大,以此手法充分抒发人物的思想情绪。用于相同板式的不同唱段的扩展手法,最常见于唱句的拖腔(或称“甩腔”)。在唱词的末字,拖腔用得最多;其次是“逗”的结束处;在情绪需要时,唱句在任何位置都可以扩展。
2. Expansion Expansion is the original number of words in the original number, according to the needs of the drama content used in a tacit variation approach. Expansion techniques often lead to the growth of pitch structure length or tunes complex. Expansion techniques commonly used in: (1) the same plate of different aria. (2) derived plate. The following are examples. (1) Extensions for different singing segments of the same plate refers to the expansion of the interior of a sing-song structure, which fully expresses the thoughts and emotions of the characters. Expansion techniques for the same plate of different aria, the most common in the sentence of the drag chamber (or “rejection chamber”). In the end of the lyrics, drag the most used; followed by the “funny” at the end; emotional needs, the sing can be extended in any position.