论文部分内容阅读
《草堂十志图》相传为唐代画家卢鸿所绘,其画风与传为王维的《辋川图》较为接近,同为早期山水画名作,对后世影响极大。本文论述近代书画鉴定家张珩对此图的鉴定评骘。他既重视作品本身的书法源流、绘画风格等主要依据,也折射出在文献考据、前人论述等辅助依据方面所下的功夫。二者相互印证,构成一个渐趋完整的证据链。由此揭示其书画鉴定的基本途径与主要风格。
According to legend, “Chaotian Shizhi map” is painted by the artist Lu Hong in the Tang Dynasty. Its style and biography is similar to Wang Chuan’s “Wang Chuan Tu”, which is also an early masterpiece of landscape painting and has great influence on future generations. This article discusses the appraisal of this map appraised by Zhang Heng, a modern Chinese painting and calligraphy expert. He not only attached importance to the main basis of his works such as the origin of his calligraphy and the style of painting, but also reflected the kung fu under the reference of literature research and previous expositions. The two confirm each other, forming a gradually complete chain of evidence. This reveals the basic methods and main styles of calligraphy and painting identification.