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本文以日本女作家青山七惠的《一个人的好天气》和中国女作家张悦然的《水仙已乘鲤鱼去》为文本,通过两位作家对80后女性成长孤独这一共同主题的不同处理,从主人公知寿和璟孤独状态的产生和各自的人生态度来展现她们孤独成长的两样姿态:一个随遇而安如倦怠的小曲,一个奋起反抗如跌宕的悲歌。这自愿与被迫,随遇与反抗,其实是内心里她们渴望温暖、爱、宽容和仁慈的表象。
This article takes the good weather of a woman by the Japanese woman writer Aoyama Seiji and the Chinese narratist Zhang Yueran ’s “Narcissus has gone by carp” as the texts. Through the different treatment of the common themes of the two writers’ From the protagonist know life and Jing lonely state and their own attitude to life to show their lonely growth of the two gestures: a random setbacks such as fatigue song, a rose up like a sad song. This voluntary and forced, random encounter and resistance is in fact the expression of their desire for warmth, love, tolerance and kindness in their hearts.