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鲁迅和乔伊斯在各自的短篇小说集《呐喊》、《彷徨》和《都柏林人》中分别对各自故乡进行了无情的鞭挞,于悲愤中诉民族之爱。相较之下,三部作品形成了巨大的关涉性,对文本进行互文性阐释,旧中国的影像中映射出世纪末爱尔兰的颓废和落后,通过文本对话,分析故事中的镶嵌和关联丰富了文本内蕴,作品题旨在缠绵交织中相呼应,情感弥合了东西方文本的差异,从而更加彰显出乔伊斯和鲁迅在故事中突出的民族之爱,家国之忧。
Lu Xun and Joyce carried out mercilessly lashes on their hometown in their respective short stories “Shout, Wandering,” and “Dublinians”, suing national love in grief. In contrast, the three works have formed a tremendous interdependence and the intertextual interpretation of the text. The images of old China map out the decadence and backwardness of Ireland in the end of the century. They have enriched the testimony and correlation through textual dialogues The content of the text is echoed in the interweaving of the lingering motifs and the emotion has bridged the differences of the Eastern and Western texts, thus further highlighting the national love and homeland worries that Joyce and Lu Xun have in the story.