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从上世纪70年代末起,作为文化艺术领域开放和发展的形式之一,原创流行音乐开始风靡两岸三地。时至今日我们发现,虽然大陆和台湾同属于一个文学和文化背景,但原创流行音乐各具特色,在歌词的古典文学内涵方面,台湾的创作力量显然更胜一筹。本文从两岸社会的意识形态差异、人文氛围、教育环境等方面来分析流行音乐文化内涵上的差距,探讨产生这种差异的原因,以发掘和思考对我国传统文化维护和传承的态度和方式。
Since the late 1970s, as one of the forms of opening up and development in the field of culture and the arts, original pop music began to swept across the Taiwan Strait and the Mainland. Today, we have found that although the mainland and Taiwan both belong to a literary and cultural background, the original pop music has its own characteristics. The creative power of Taiwan is clearly superior to the classical literary connotation of the lyrics. This article analyzes the differences in the connotation of popular music culture from the aspects of ideology, cultural atmosphere and educational environment of the two sides of the Strait and explores the reasons for such differences in order to find out and reflect on the attitude and method of maintaining and inheriting traditional Chinese culture.